Jacqueline C. Thomas - Romance Novelist

Plot

A Spot for Inspiration

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A roadside seafood restaurant in Malibu.

I was walking on the shore just two short weeks ago along the Malibu coast in California, at my happiest to be in such a gorgeous place. As I walked, the surf tickling my toes, and the waves crashed on the rocks, I glanced over at the large beach homes that hugged the coast. I was struck with a spark, an idea…inspiration. An idea came to me for a book, a really good idea. I’ve been thinking about the idea ever since, but the idea of inspiration and place has also been on my mind.

Meanwhile, I have made what feels, like a massive career transition within those past two weeks as well. I left my former job and took a job in Chicago. I don’t live in the city, I reside within the commuter-belt, albeit a very far edge. So last week, I grabbed my high heels and stepped into my new life, doing a job that I have worked an entire career to get to. I won’t lie, it feels good, no great, to be here. I also know that although I have “made it” to this level, my work must be worthy for now and for forwarding advancement.

As exciting as this transition is, my new opportunity has put back downtown Chicago again. Chicago is my home city. When I travel the world and people ask me where I am from, I reply, “I’m from Chicago,” even though I don’t actually reside within the city. The first day as I stepped off of the commuter train, out of the station,  and out onto the street, I thought about all of those who came before me and all of those who will come after me. Then I thought about my characters, doing the same thing I am doing, going about their daily lives in this amazing city.

So much of my work is set in Chicago, because it is the city that I love, and it is the city that I know. As I was walking to catch the train home yesterday, I walked in the exact footsteps where Ben and Rachel from McKinley Park had their first date. I imagined them walking under the EL on the hot summer night. I couldn’t help but smile, genuinely smile. I am sure the others on the street if they even noticed wondered why this crazy woman wore a big smile but I didn’t care. As I walked further, my newest book has a scene set in the State Street Macy’s, I thought of the two characters as I walked past. Chicago is a rich setting, and I think it is why I use it so much in my work.

I am a firm believer that place directly impacts not just where a story is set but the writer too. I remarked to my husband while we were in LA a few weeks ago, that one would almost have to reside in LA for an extended period of time to accurately write the area. Sure writing a trope of LA is easy, but if you really wanted to richly set a work there… In my opinion, you’d have to go there and stay for some time. For reference, when I mean LA, I am talking about the greater LA area. It is so vastly different from the coast, to Anaheim, to Santa Anna and into the mountains, you’d have to be there to accurately describe the setting.

This past fall I took a trip for a long girls weekend down to New Orleans. At the time I was reading the book Fat Tuesday by Sandra Brown, which is set there. I picked up the book before I travelled thinking it would be interesting to read a book about a place I had never been and was soon to travel to. The experience of reading a book set in downtown New Orleans, while walking the streets the characters had, was a decadent experience. There was so much more to see, hear, smell, taste that added a rich velvety layer of complexity to Brown’s story. Granted I can’t travel to every book setting but the experience stuck with me.

When I first started writing romance, then reading it – yeah I know I got that backwards, but it’s the way it happened, I read a series by Christine Feehan. The setting for some of the stories were set in the bayous and swamps in Lousiana, as a home base for the characters. I read an interview with her about her research for the books, and she talked about spending time there for the purposes of book research. She discussed how the beauty of place resonated with her. When I read her books set in the bayou, they felt detailed in a way that you know she had been there. She describes place so well, and I would argue that the place in itself was an inspiration and a character in the series.

The more I write the more I learn. It used to annoy me to no end when writers would drone on about “the process.” I naively thought to myself, just sit down and write. How time has a way of teaching each of us. Place is important, whether reading or writing, it matters. I get it now. I am grateful to walk in the setting of my own work every day now.

Book Review Time

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I love to read but it feels like a guilty pleasure when I actually get to do it with Grad School wrapping up. I had the pleasure of reading two extraordinary books recently, as well as re-reading my first book as a result of #KissPitch and being the worst beta reader ever for my dear sister who has written the most amazing collection of travel stories. It may not seem like a lot but it actually is a lot of reading. So, check out what this romance author has been reading.

 

Three Women by Lisa Taddeo

I received this book as a birthday present from my husband. He saw the British press had not stopped raving about it since its release, and thought it would interest me. He was not wrong. Three Women is a work of non-fiction. Taddeo follows three American women and their journies with sexuality, a woman who has an affair, to another woman who is in an open marriage, to the teenager who has a sexual relationship with her high school teacher. As a romance author, what induces love, sexuality and lust is always of interest to me. I picked up this book as a character study but soon realized I would be selling it desperately short to approach it that way.

From the first page, with its gripping honesty, I could not pully myself away. The stories are heartbreaking and TRUE. Each story is unique and thought-provoking but the one story that particularly resonated with me was the story of Lena, a married mother, who had an affair with a high school fling. Her first sexual experience is heartbreaking, and she marries a man who doesn’t seem interested in physical affection. Despite her best efforts, to entice her husband, he is simply unwilling- even repulsed by the idea. I couldn’t help but wonder if he had his own traumatic sexual backstory. (I am not saying that those who are asexual have trauma).

Lena talks about craving a man’s touch, and she finds it in the arms of a high school boyfriend, who is married as well. I found myself rooting for them, even though they were both married. It is heartbreaking and beautiful to see Lena’s struggle.

With so much amazing work out there to read and our non-stop news cycle, it seems that not much sticks with us for very long, but this book will stick with me forever. The brutal, beautiful, heartbreaking honesty in which these women tell their stories is incredible. I literally could not put this book down!

 

American Queen by Sierra Simone

 

While out in Los Angeles last month I made sure to stop in The Ripped Bodice in Studio City, California, a romance bookstore. While I was there the cashier highly recommend this book to me, making sure to inform me that this one is more erotica than romance. I like a good steamy read every now and then so I purchased it. The premise of this work of fiction, follows Greer, the privileged granddaughter of a former Vice President, her love interest Maxen Colchester and his best friend, and current VP Embry Moore. I’ve never read a book by Simone so I wasn’t sure what to expect. The opening two paragraphs of this book are a master class on how to start a book. I was hooked from the start!

I started reading this one on the flight home from L.A., a red-eye flight, where the two travellers on either side of me slept. I am not ashamed that I read romance and erotica, but let me tell you, this one made me blush! At one point during the flight, I had to put the book down, it was that steamy- my eyes had third-degree burns! From start to finish the sex scenes in this book, leave NOTHING to the imagination. It left me, who is not prudish at all, slightly uncomfortable.

SPOILER ALERT!!!!!!     

Greer falls for Ash or Maxen and they begin a sub/ dom relationship. I have read several books with this sort of sexual play and my normal reaction is like, “eh, okay.” The relationship in this book bothered me more than most of the other books in the genre that I have read. Greer is sexually inexperienced and is suddenly eager to please Ash at his beck and call. I just don’t get it. I am not passing judgement on sexual interests in any way! The whole sub/ dom thing is so not my jam. At one point Ash whips Greer with a belt and she talks about how it hurts so good. All I could think to myself was, “if someone hits me with a belt, I am going to grab it from them and hit them with it!” Yes, I know I am missing the point here. I just find myself asking, where is the line between violence and sexuality?

Then, we find out that Greer looses her virginity to Embry, who is Ash’s best friend after Ash breaks her heart one night. The whole scene where she loses her virginity is hot- unrealistic, but hot. So now we have a perfect love triangle between Ash, Greer and Embry. I really wondered where Simone was going with it. Later on in the book, Greer finds out that Ash and Embry have a sexual relationship too! Woah, everyone is sleeping with each other! Greer finds this out in the most awkward way too. The book culminates on Ash and Greer’s wedding night, where they invite Embry in to essentially be a thruple.

A few years ago I had an interesting conversation with a therapist about different types of relationships. At the time this therapist was treating a woman who was in a relationship with two men. Together, the two men and she had made a thruple or a couple of three. The therapist told me about some of the research they had done on the topic and the one thing that came up time and again- it never works out in the long run. All I could think to myself was that their relationship will never work! Sure it might be hot, and convenient for now, but down the road, things are going to get messy.

The last scene in the book, the wedding night, I found more thought-provoking than sexy. Greer asks her new husband and his best friend, Embry to sleep together in front of her before they turn their attentions to her. The culmination of this wedding night ends with the two men making a Greer sandwich. This made me wonder, would anyone want a wedding night like this? Am I a square? I don’t know. Again, I am not judging as long as all involved parties are consenting adults.

I think for me as a romance writer, the set up was there for a sexy, heartfelt love story between Ash and Greer, but somewhere it jumped the rails. There is so much with this book, incest, threesomes, sub-dom, gay sex, you name it. If you rated hotness on a scale, this book would be nuclear, but I would argue at the expense of what could have been a great love story.

Happily Ever… Never

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There are lots of ways to tell a story, just look at all of these romances!

 

For the past week, I’ve been thinking about his blog post, about romance writing, and happily ever afters. I had the post loosely sketched out in my head and then yesterday something happened. I was scrolling through Twitter on my lunch break and I saw a post about romance writing and happily ever afters and how a story wasn’t a romance if the story did not end that particular way. I wanted to comment but scrolled past, then I went back, I was compelled to comment, against my better judgement. Side note, I like to think I usually have better judgement. I commented with the utmost respect, in fact, I even said in my tweet, “I mean this with the utmost respect.” Then it happened, I had voiced my opinion on the subject, knowing it’s not popular. It took all of twenty seconds later for the backlash to start.

Now, I know that when you participate in social media you had better put on your big girl pants because not everyone is going to be nice. I was told that if my work did not have a happy ending then 1. it’s not romance, 2.I’ll never get an agent, and 3. my work will never sell. Ouch! Maybe it’s true, maybe it isn’t and I will say the majority of my works end happily. I had intended to write an opinion piece about romance and stories that end happily, but instead, and probably equally as unpopular, I want to talk about genre.

I know some stranger on the internet really shouldn’t have mattered to me so much but, the comments were not kind, and written from a fellow romance author. I was under the impression that we romance authors stuck together, and stuck up for each other. Another commenter on the thread felt compelled to direct message me the definition of romance according to the RWA (Romance Writers of America, the national organization for romance writing) and to let me know that I am not a romance author if all of my work does not end happily.

I tried to shrug it off and go about my day. After an impromptu dinner date with the hubs, he suggested a trip to the local bookstore. I am always game for a trip to the bookstore! As we walked through I made my way to the romance section, which has grown considerably over the past few years. I took a seat on the small stool used to reach books higher on shelves and studied the covers. There was your alpha-male, cowboy adventure, a cartoonish woman on the front, and then your erotica all on the same shelf. (Note: I am NOT knocking any of these subgenres!) As I looked at the shelf I began to wonder, “am I a romance author, does my work belong on this shelf?”

Before I could a full-blown existential crisis, my husband wandered over with his book choices under his arm. I turned to him and asked him flat out, “Am I a romance writer, or do I write fiction with romantic plots,” as another tweeter had felt compelled to tell me. He stood there for a minute, I could see he was perplexed by the question, and I wondered if the tweeters were right. I felt the pit of my stomach begin to burn as I waited for his answer. Like the amazing man that he is, he gave an amazing answer.  “Your work belongs on that shelf,” he said as he pointed towards the romance section, “or any other shelf you want it to in this whole damn store.” Then he asked me, “do you think Stephen King lets people tell him, that he doesn’t write fiction, or his books aren’t scary enough to be classified as horror? No, he writes what he writes because he loves it. You write whatever stories are inside you, and don’t let someone else tell you who or what you write.”

Guys, I was speechless. Now my hubs is a pretty smart guy and occasionally he says something resonates with me. I say occasionally because we’ve been together for almost twenty years at this point, it takes a lot to really shock each other. What he said last night will be imprinted on me forever! I woke up this morning with a smile on my face thinking to myself, that my stories and all writers have their own way of telling their stories. Gatekeepers do their genre a disservice in curtailing what should or should not be classified. Writing is an art, sure your work can be classified as different types but at the end of the day, art is unique.

At the end of the day, I write the type of romance I want to read. I like writing and reading dramatic, high-stakes romance that sometimes has a happy ending and sometimes it doesn’t. I don’t feel like I’ve wasted my time, reading a romance novel if it doesn’t end happily. In the end, I ask my self two things, first, was there a great love story, and two, did it make me feel for the characters? If I can answer yes to both of those questions then to me, I’ve just read and or written a great romance novel.

Back to Half Moon Bay

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It’s official, I have my writer’s groove back! Hallelujah!!! I wrote a very honest post a few weeks back about having difficulties returning to writing after going through a traumatic surgery. I couldn’t seem to focus, but more importantly the creative muscle just wasn’t flexing. I wrote about how dishearting and terrifying this was. I had made the plan to return to my first completed novel to rewrite it. I chose the project because I didn’t have to build the world, or the characters, the groundwork was already done. All I had to do was enhance, organize, and tell their story. Simple right? HA!

I learned through this process that rewriting so so much harder than writing from scratch. When you write from scratch, you have the freedom to create, when you rewrite there are limitations, you have to write in the world already built. The story is a romance between a woman visiting her brother in Silicon Valley for the summer, and she falls for her brother’s boss, a tech giant. I loved revisiting this steamy love story, which takes place in Half Moon Bay, California. My thought process for choosing this to help me get my groove back was that I loved this story, it was the work that wooed me to love writing.

There were parts of this process that were so much fun, especially adding rich detail into the story. Describing the feeling of his hair as she ran her fingers through it, how he thought she smelled to him, these seemingly small details made such a massive difference when I wrote them out. All the while I had to be careful to keep in mind the framework I was supposed to be working in, keeping with the narrative of the story. I loved doing this part of this rewrite, it made the characters so much more….more everything!

For as fun as it was, it was difficult too. There were entire chapters that didn’t make it into the new version. Have you ever killed an entire chapter? It’s brutal but necessary. Then there were the chapters that had all of the components to move the narrative forward but they were in the wrong order, a full chapter rewrite, ouch. I found chapter rewrites to be the most challenging and the most rewarding. The work was gruelling, and as cliche, as it sounds, I did have to kill my darlings, the things I loved in the book, in order to streamline the story and make it tight.

Being a full-time working mom and a graduate school student, to say that time is precious is an understatement. Another difference in a rewrite vs. a “regular” write is that I really had to pay attention to details. For each chapter I worked on, I would reread the chapter before it, before working on the next one, this helped keep continuity and move the narrative forward in a succinct manner. This means I spent as much time reading the book as I did writing it! On days where I was lucky enough to be able to write for a few hours, I would read large parts of the book. I was very strict with myself, knowing the importance of doing this. Re-reading the most recently completed chapter before writing the next one, made this process feel painfully slow. As someone who has limited time, this was an exercise in patience. It was important though, moving deliberately through the book in a slower way gave time to let ideas and plotlines “marinate.”

With NaNoWriMo coming up, I knew I needed to have this book done before I participated. I know I only have the bandwidth to work on one project at a time right now. I was so committed to getting this book done, I got up at 5 am. to write before work. This is a huge thing for me! I am not a morning person! If I didn’t have to be a functional person, I would be happy to write into the early hours. Life is quiet in the middle of the night. Each night before bed, I’d set my coffee pot to brew at 4:45 am, and my laptop on my nightstand. When my alarm would go off, I’d grab a cup of coffee and then sneak off to our spare bedroom, curl up on the bed and start writing. It was just me in the dark, with only the glow of the screen, and my characters. I fell in love with writing like this! If you haven’t tried it, I highly suggest it! There are very few things in life that will have me hopping out of bed in the morning happily, and this was one of them. What was even more amazing is that I found that my creative muscle would be in overdrive all day. I would come home from work, do homework, kids, dinner, bath etc. and race to get back to my computer.

Last night I “finished” the rewrite. I use quotations because as any true writer will tell you, a book is never finished, you just get it to a point where it is good enough. As I wrote my last sentence, tears welled in my eyes. I started this project as a lifeline back to writing. I needed these characters and a world already built, like writing training-wheels. My plan worked, I found my writing groove in such a strong, powerful way. As I stared at my computer screen looking at 106,000 words, I wiped tears from my cheeks and shut my computer. This book will always be incredibly special to me because it was the first thing I ever wrote, and it came flying out of me. Now, this book taught me how to rewrite but more importantly, it wooed me again.

So the plan for Come Sail Away With Me, as it is titled? I need to let it sit for a couple of months. I need to step away from it, it needs to rest. In the meantime I will be doing NaNoWriMo, the idea for this year’s project came while I was rewriting CSAW. Sometime this winter I will pull it back out and reread, editing and tweak along the way. From there, it is off to a professional copy editor and then….. query time! I’ve decided I am going to try to seek representation for it. Let’s see if this story shares it’s magic again and snags an agent.

How to Get to Know your Characters

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Getting to know your characters should seem like the easiest thing in the world to do for an author, after all, you’ve created them. I have seen a lot of questions asked lately in the Twitter Writing Community about how to get to know your characters. I believe that you can have the best plot in the world that draws readers in, but if the characters are well-rounded and fleshed out the whole work will flop. I want to share my tips on how I do my best to create vibrant characters.

I am not a planner. When I start writing a novel, I don’t have the plot all mapped out. I usually have a loose idea of the climax and I build the story out around it. Next, come the characters. Like the narrative, I usually have a loose idea of who they are. I imagine them, with just the basics and I begin to write. It is during the writing process for me that I begin to hear their voice come through in the writing.

For example, look at Ben and Rachel in McKinley Park. I knew Ben was a police detective and I wanted Rachel to be a single mom. I started with the most basic aspects of who they are. After a few chapters, I can begin to see their voice and this influences more of who they are. When I started McKinley Park, I didn’t know Ben was one of three brothers, like Rachel’s boys. As I wrote their fist date and needed the two connect this idea spoke to me.

It is usually around chapter 3 or 4 that I really begin to get to know my characters. It is at this time that I pause for what I call a character interview. I know this sounds nuts but I swear it changed my writing for the better. I basically interview the character asking questions like:

What is your favorite food?

Where did you grow up?

What was your home life like?

What is your favorite feature about yourself?

(Because I write Romance) Why do you love X?

What do you do for fun?

I ask these sorts of questions of my characters and I walk away knowing them much more intimately. I am able to continue writing on in the project really knowing who my characters are. I know their likes and dislikes, some of their past and a lot more.

In the first book I ever wrote, I dreamed the story first so my imagination had already done the work for me of physical appearance. I find that for me, physical appearance usually comes in later. In McKinley Park, I had a rough idea of what Rachel looked like, slim, busty, with dark brown hair and green eyes, and soft, pink lips. Rhett, her ex, his appearance came to me very early. In the spirit of honest conversation, Ben’s physical appearance was a mystery to me through so much of the book. I kept asking him, what do you look like? No joke, it wasn’t until the last few chapters that I got an idea of what he looks like. Physical appearance is not the easiest for me and it is a common criticism that I hear from my beta readers. I am trying to work on my interview questions to include more of this information so I can get a better idea of what they look like.

I also like to imagine my characters in different situations outside of the plot. I like to imagine what their reaction would be. For example, what would Rhett do if one of his son’s puked in his fancy car? What would his reaction be? I love this exercise, I feel like not only do I get to know the character better but it is like cake for my imagination, yummy and indulgent. I find that I do this best right before I fall asleep. I set the scene and let my character loose as I drift off to sleep. Seriously, try it, it is awesome!

There are lots of ways to get to know your characters. Make the time to do it, your work will be so much stronger for it. Try your best to take yourself out of the equation and let them speak, you might be surprised at what they have to say. I know I have been for sure in the past! I have included a few links below of good resources for getting to know your characters. Take a look. Fellow writers if you have any tips or tricks getting to know your characters please share with the class in the comments.

 

https://www.writinglaraferrari.com/101-character-questions

https://rachelgiesel.com/blog/how-to-really-get-to-know-your-characters-a-questionnaire

https://www.livylynnblog.com/2017/11/03/questions-get-know-character-cheat-sheet/.

 

 

 

When a Writer Can’t Write It is Painful!

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McKinely Park is written, and I am at the end of my last edit for The Lake Michigan Affair. I am in the weird part of writing where I am not actively working on a new project. I have hit this awkward space before, the space between projects when you aren’t writing. I am also on the home-stretch of my Master’s degree in PR. Ths particular sememster is covering descriptive statistics, and it is making me crazy. I knew that I would need all of my attention focused on this semester, and I was so right! I am getting buried this semester.

I chose to be in this strange space, not writing, but let me tell you, it is uncomfortable. I just knew I wouldn’t have the bandwidth to work my full-time job and start a new project. I feel the urge to write down in my bones. I want to be dug into a project, getting to know my characters and working through the plot. Early next month I will undergo substantial surgery. I have been told to expect a long recovery. Knowing this, I am also hesitant to start a project knowing that not feeling well enough to write will not be good for my recovery and mental health. These aren’t excuses, I am just trying to be realistic about my time and abilities.

So what is a girl to do? Writers have to write. In the meantime, I am trying to fill this void by reading romance. It is the genre that I write in so I try to read a lot of it. While I am enjoying th book I am currently reading, Fat Tuesday by Sandra Brown, it is not writing. It is the strangest thing to describe, but it feels physically uncomfortable to not be working on a new project. I feel like something is missing from my life right now, and I don’t like the feeling.

I consider myself very lucky that as far as inspiration goes, I have never had to struggle to find the next thing to work on. I have a few ideas written down and I have been trying to mull them over and really develop them right now as a consolation prize. I am used to getting to know my characters by forcing them through the plot. They are born out of strife, and like a diamond produced under pressure, I’d like to think my characters are born the same way, although not as perfect as a diamond for sure. I live for this struggle, getting to know who my characters are. I love writing a chapter and then staying awake all night in a half-sleep knowing I am going to have to rewrite because I have forced my will as the author, not listened to the character.

Not writing has been weighing heavy on my mind. I keep wondering to myself about atrophy. If writing is described as a muscle, then what happens when you aren’t writing? I know I have improved considerably from the first novel I wrote. As my writing has matured, so has the process in which I write. Right now as I type this, I know I am at least a month out from being able to start my next project, and that fills me with despair. I want to write! I need to write!

In the meantime, I will continue to read, and really throw myself into my grad school course. Coming to this realization I will try to read instead, I put a call out to the Writing Community on Twitter for recommendations good romance reads. I was thrilled to see that my feed was filled with all sorts of romance novels. I am looking forward to digging into them while I recoup, but no matter how amazing these works are, it is not writing.

What do you do when you are a writer who can’t write? This is so frustrating. Fellow readers have you ever went through something like this? What did you do to get through it?